Natsume
夏牧
Natsume
夏牧
Kaohsiung 高雄
139 m² / 42坪
Design Director: Angelo Cho
Project Director: Nomas Chen
Project Team: Jeff Cheng
Photographer: Angelo Cho
設計總監:卓思齊
專案總監:陳明封
專案團隊:鄭清原
空間攝影:卓思齊
1.entrance hall
2.wine cabinet
3.kitchen
4.balcony
5.maid bedroom
6.dining room
7.living room
8.reading room
9.public bathroom
10.master bedroom
11.master bathroom
"I am accustomed to sitting on the floor in the tea room, with the black vinyl record on the turntable spinning slowly, playing Ryuichi Sakamoto's music. The peaceful sound of the cello fills the space, and the light flickers through the tree shadows. The tatami mat releases its unique fragrance. Closing my eyes, I feel the southern breeze brushing by, and the meadow sways gently in the warm sunlight." This is my favorite moment of the day.
「習慣在茶室的地板上坐著,身旁唱盤上的黑膠唱片悠悠轉動,播放著坂本龍一的曲子。平静的大提琴樂聲在空間中疆漫,光線透過樹影搖曳,疊蓆散發出特有的香氣。閉上眼,感覺到南方的風吹拂著,牧草在温暖的陽光下輕輕擺動。」這是一天當中最喜歡的一個時刻。
The volume that divides the entrance and public areas is actually the wine cabinet behind the island. Through functional integration, we make it the first break in the space. The unsatisfactory configuration gives the visual a short stay, and through the blank design, people can feel the extension of the space and the penetration of light from the peripheral vision..
劃分玄關與公領域的那座量體，實則是中島後方的紅酒櫃。我們透過機能整合，讓它成為空間裡第一道休止符。不滿作的配置賦予視覺短暫停留，也藉由留白設計，讓人從餘光感受到空間延伸，與光線的滲透。
Light enters through the windows, with the sofa facing outward. We believe there should be little distance between people and nature, simply facing it is enough.
At the far end is a tatami room for reading or making tea, where the homeowner often spends time. With a pillar and a platform raised two steps, the space forms a quiet corner. Once seated, the pace of life naturally slows, a small ritual within everyday living.
光線從長面的落地窗一路流入室內，沙發順著視線朝向窗外。我們認為，人與自然之間其實不需要太多距離，直接相對，便已足夠。
最內側是一間和室，可以讀書，也可以泡茶，男主人常在那裡停留片刻。立柱與抬高兩階的榻榻米界定出一處安靜的角落，人一坐下來，節奏便自然慢了下來。生活有時候，也需要這樣一點小小的儀式感。
The rough brushstroke artwork on the side wall of the tea room embodies the Zen essence of the space and the power of nature. Each stroke not only captures the depth and flow of ink, but also brings a balance between stillness and movement within the space.
茶室側牆的粗曠毛筆畫創作，將空間的禪意與自然的力量具象化。每一筆的揮灑不僅呈現了水墨的深邃和流動，也讓空間中的靜與動達到平衡。
The Zen atmosphere extends into the dining area. Through the use of negative space and the integration of a small plant landscape, the arrangement subtly echoes the spirit of the tea rooms of Sen no Rikyū. As a result, the dining table is not merely a place for meals, but also a quiet spot to sit, gather one’s thoughts, and experience a moment of Zen within everyday life.
禪意延伸至用餐區域，留白與植物造景的配置，隱約呼應千利休茶室的精神。 於是，餐桌不只是用餐的地方，也成為一處能安靜坐下、沉澱思緒、在日常中體會禪意的空間。
Unlike the ethereal feel of the daytime, the lighting at night creates a completely different warm atmosphere. The soft light illuminates the space, giving the entire environment a cozy and tranquil feeling. This interplay of light and shadow not only enhances the depth of the space but also offers the residents a completely different sensory experience, making each moment in the living space unique.
不同於白天的空靈感，晚上的燈光營造出一種完全不同的溫暖氛圍，柔和的光線照亮空間，讓整體環境散發出溫馨與安逸的感覺。這樣的光影變化不僅提升了空間的層次感，也賦予了居住者一個完全不同的感官體驗，使得每一個時刻的居住氛圍都各具特色。
The round planter at the end of the hallway, serves as a visual focal point connecting the public and private areas. The plant stands quietly, seemingly injecting a sense of stability into the space without a sound.
走道端景處的圓形盆器植栽，成為連接公私領域的視覺焦點。這株植物靜靜佇立，彷彿在無聲中為空間注入穩定的力量。
The bedroom continues the design language of the public spaces, simple and calm. There are no unnecessary decorations; the tones are soft and the materials natural. It feels like a place undisturbed, where one can quietly stay.
臥房延續公領域的設計語言，樸實而安定。 這裡沒有多餘的裝飾，色調溫和，材質自然。像一個不被打擾的地方，讓人安靜地待著。
Designer Angelo Cho with the project.
設計者卓思齊與作品合影。
The gentle breeze from the southern ranch blows softly, and I quietly stay here, feeling its tenderness.
南方牧場的微風輕輕吹拂，我靜靜地待在這裡，感受著它的輕柔。
